Of course you can hear about a book, and think it's going to be wonderful, but until you're actually holding it in your hands, you just don't know for sure. I can report it's just as inspiring as I'd hoped it would be.
The first part of the book (introduction, how I build an arrangement, respecting and appreciating nature, and tools) lays the all important groundwork for the coming chapters which cover many of my favorite things like bark, branches, moss and ferns. That's Françoise herself in the lower corner...
The artful photography in the book is by Theresa Bear, who did a great job of capturing both the detail and magic of Françoise's work.
Throughout the book Françoise shares tips for creating your own arrangements. She tells you about the underlying structure on which you'll build, where to buy and forage for material (while being respectful of public and private property) and with every page you'll become more and more inspired to create. One of my favorite quotes of the book: "Like the Dutch masters who painted abundant floral still lifes, many with flowers that never bloomed at the same time, we are not aiming for reality. Rather, our goal is to imitate Nature by enhancing the visual experience."
If you're local you might want to attend a book signing and demonstration coming up at Portland Nursery this weekend (info here), and if you're not... well I urge you to buy the book and get lost in the imagery and inspiration of its pages.
To receive alerts of new danger garden posts by email, subscribe here. Please note; these are sent from a third party, you’ll want to click thru to read the post here on the blog to avoid their annoying ads.
I received a gift copy of this book from the author, however I was under no obligation to write about it. All opinions and material © 2009-2024 by Loree L Bohl. Unauthorized reproduction prohibited and just plain rude.
For a self-described flower freak, it may sound peculiar that I've always described my dream gardenscape as a woodland. Although my own garden can't in any way be described as such, I can appreciate the value of this book in fostering the ability to see plant materials differently when building arrangements that evoke outdoor scenes.
ReplyDeleteYou summed up the book in one great sentence: "fostering the ability to see plant materials differently"...
DeleteYou've shared some beautiful pages from the book, and the chapter on moss has me intrigued.
ReplyDeleteMoss is magic!
DeleteMushrooms would be an interesting compositional element. Many are very ephemeral, but some of the woodier ones would last a lifetime.
ReplyDelete